Most important publications

In English:

• “Manufacturing histories: the construction of 1989 on the Romanian screen.” In. Romanian Cinema in the Cultural Framework: A Multidisciplinary Approach (Film, Literature, History and the Visual Arts) Ed. Dominique Nasta. Les Éditions de l’Université de Bruxelles. Forthcoming. 2022.
• “Move on Down. Precarity and Downward Mobility in Contemporary Hungarian Feature Films” In. Precarity in European Films. Depictions and discourses. Eds: Elisa Cuter, Guido Kirsten and Hanna Prenzel. DeGruyter. 2022.
• “Instrumentalization of the border zone. Environment and ideology in the educational films of the BM Filmstúdió.” Acta Universitatis Sapientiae, Film and Media Studies. Vol. 20, 2021, 151-164.
• “From affect to instrument: interpellation and governmentality in the BM Filmstúdió collection”, Studies in Eastern European Cinema. 11:2 (2020), pp. 157-172.
• “Hesitant Journeys: fugitive and migrant narratives in the new Romanian Cinema”, in Journeys On Screen: Theory, ethics and aesthetics. (eds.) Louis Bayman—Natália Pinazza. Edinburgh University Press. 2019. pp. 130-146.
• Hesitant Histories on the Romanian Screen. London: Palgrave Macmillan, 2017.
• “Realism under Construction: Radu Jude’s It Can Pass Through the Wall”, Short Film Studies. 7: 2 (2017) pp. 149-52.
• “Márta Mészáros.” Co-authored with Parvulescu, Constantin. In Oxford Bibliographies in Cinema and Media Studies. Ed. Krin Gabbard. Oxford: Oxford University Press.
  http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0203.xml 2016.
• “Producing Prejudice: The Rhetoric of Discourses in and around Current Films on Roma-Hungarian Interethnic Relations.” Romani Studies 5, Vol. 24, No. 1 (2014), 1–24.
• “Back to the Past: Mnemonic themes in contemporary Hungarian cinema.” East European Film Bulletin. http://eefb.org/essays/back-to-the-past/ March 2014.
• “Archeology of Flesh: History and Body-Memory in Taxidermia.” Jump Cut. 53 (2011) http://www.ejumpcut.org/archive/jc53.2011/strauszTaxidermia/index.html
• “On the River: History as a Palimpsestic Narrative in The Danube Exodus.” Film-Philosophy. 15.1 (2011) 100-117. https://www.euppublishing.com/doi/abs/10.3366/film.2011.0006
• “The Politics of Style in Miklós Jancsó’s The Red and the White and The Lord’s Lantern in Budapest.” Film Quarterly. 2009 Vol. 62, No. 3, pp. 41-47.
• “Cinema and National Identity” Co-authored with Restivo, Angelo. In: Nations and Nationalism: A Global Historical Overview. (eds.) Guthram Herb and David Kaplan. ABC-CLIO. 2008.

In Hungarian:

• “Realizmus és modernizmus között: hezitáció és az új roman film értelmezésének keretei” Metropolis. 2017/2.
• “Visszabeszélés és önegzotizálás.” Pannonhalmi Szemle 2014/1 104-119.
• “Vissza a múltba: az emlékezés tematikája fiatal magyar rendezőknél” Metropolis. 2011/3.
• “Az identitás régészete: Film és festészet” Déli Felhő. 1998/3. 6-14.